A Return to Falls’ Maximalism in Lyric Opera’s ‘Don Giovanni’

Robert Falls’ distinctive maximalism remains evident in the Lyric Opera of Chicago’s 2026-27 season opening with ‘Don Giovanni.’ This marks a continuation of the 2014 production by the Goodman Theatre’s notable director, offering audiences a rich theatrical experience.

The elaborate sets designed by Walt Spangler complement Falls’ aesthetic. Featuring grand tables, expansive hedgerows, and impressive Moorish lighting, the stage invites audiences into a world reminiscent of Falls’ Eugene O’Neill productions. These elements underscore the play’s classical tragedy themes, portraying individuals overwhelmed by their circumstances.

The opera’s costume design by Ana Kuzmanic reflects a contrast of seduction and dominance, a specialty of Falls seen in other works like Tennessee Williams’ plays. At the climax, Duane Schuler’s lighting emphasizes moral reflection, inviting the audience to consider their stance on Don Giovanni’s fittingly dramatic end.

Christian Van Horn, a veteran at the Lyric, fills the role of Don Giovanni with both voice and presence, offering a rendition full of charisma and despicability. His performance captures the essence of a character living large yet ultimately paying for his hedonistic exploits.

Falls’ ‘Don Giovanni’ feels like a culmination of his career, blending large-scale production with intimate character exploration. While extravagant, it is a fitting match for the notorious protagonist’s story. Despite certain pragmatism influencing modern productions, this revival embraces operatic excess fully.

From soprano Mané Galoyan’s commanding Donna Anna to the chic portrayal of Donna Elvira by Nina Solodovnikova, the cast delivers on emotional and dramatic complexity. Notably, Anna El-Khashem as Zerlina navigates her complex character arc smoothly, providing a significant highlight.

The opera, dating back to its 1954 debut at the Lyric, follows a structurally simple storyline: Donna Anna’s quest for justice following her husband’s murder. Yet, it delves into deeper themes of consequence and resistance against someone like Don Giovanni.

Under the baton of Enrique Mazzola, the orchestra adds depth to the legendary narrative. Mozart’s music, with its unpredictable textures, amplifies the dramatic tension and underscores the librettist Lorenzo de Ponte’s storyline. Mazzola’s interpretation captures a sense of cohesion amidst the dynamic energy.

Overall, ‘Don Giovanni’ stands as a vibrant example of why Falls’ directorial style continues to resonate. With strong performances and exemplary staging, the production invites reflection on the enduring allure and downfall of its central figure.

Review: “Don Giovanni” (3.5 stars)

When: Through Nov. 1

Where: Lyric Opera of Chicago, 20 N. Wacker Drive

Running time: 3 hours, 25 minutes

Tickets: $48-$402 at 312-827-5600 and lyricopera.org