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Kacey Musgraves Embraces Life and Music in Mexico

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Kacey Musgraves now often resides in Mexico when she’s not busy working. The country singer tells PEOPLE that her recent album, Middle of Nowhere, draws inspiration from her Texas upbringing and her experiences south of the border.

Musgraves expresses contentment with her life in Mexico. “I have all my needs taken care of,” she says. She spends much of her time there, finding inspiration in the environment. “I’ve learned so much and it’s been beautiful,” she shares.

Her album, Middle of Nowhere, reflects influences from both Texas and Mexico. It’s nominated for five CMA Awards this November in Nashville. Musgraves mentions spending a lot of time in Mexico over the past year and a half, calling it a “beautiful cosmic thing.” She lives simply, often barefoot, and enjoys life at a different pace.

On her current tour, Musgraves performs in Spanish, celebrating similarities between traditional Mexican and country music. “It’s given me more Texas pride,” she admits, appreciating the cultural blend.

A new album, Middle of Nowhere Vol. 2: Tex Mex Tapes, will release on January 15, featuring four Spanish songs. The tour and Latino community support have excited Musgraves. “Let’s keep the party going,” she says.

Latin Grammy winner Carín León appreciates Musgraves’s embrace of Mexican music. They collaborated on the bilingual track “Lost in Translation.” León praises her honesty and love for Mexican culture.

León talks of their connection, sharing similar cultural themes in music. “Country and música mexicana have much in common,” he notes. Their collaboration involved blending languages and cultural elements, including Mexican horns without compromising the country essence.

For her upcoming album, Musgraves is eager to continue the creative work from Middle of Nowhere. The new project includes 16 tracks and five covers, inspired by her experiences. Despite not being fluent in Spanish yet, she remains committed to learning. “It’s a slow work in progress,” she admits.

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