Exploring Humanity’s Choices: Liliom Leads Ballet Season at Joffrey

Julie, a principal character in the Joffrey Ballet’s latest season opener, is characterized by innocence. Portrayed by Victoria Jaiani, Julie’s goodness inadvertently brings her trouble. She falls for Liliom, a carnival barker played by José Pablo Castro Cuevas, whose primary talent lies in persuasion. As Liliom’s life spirals, it raises the question of whether his actions result from character flaws or circumstances. Ultimately, both factors play a role, leaving Julie to face challenging decisions about moving forward.

The ballet, titled “Liliom,” is inspired by John Neumeier’s choreography. Its Midwest premiere marks a significant milestone as it is the first North American dance company to perform it. The production questions whether a man can genuinely control his fate. Neumeier’s choreography shines through, displaying Castro Cuevas in a remarkable performance, surpassing his previous role as Eugene Onegin.

Originating from his work with the Hamburg Ballet in Germany, Neumeier’s career began in Milwaukee and flourished in Chicago. His role in the 1961 world premiere of Vittorio Giannini’s “The Harvest” on the Lyric Opera’s stage laid the foundation for his journey. Neumeier’s collaboration with the Joffrey Ballet in 2015 with “Sylvia” introduced his unique style to audiences.

Neumeier’s style combines classical ballet, modern dance, and theatrical expression. He balances the music with dynamic choreography and abstract movements. Evan Boersma’s portrayal of The Balloon Man adds layers to “Liliom,” serving as a guide through Earthly and spiritual transitions. The scene opens quietly, with Boersma kneeling while holding balloons, setting a reflective tone.

Ferdinand Wogerbauer and Jim French enhance the production with set design and lighting, creating a vivid backdrop that illustrates societal contrasts. Liliom’s role as a carnival barker involves wooing attendees as he navigates relationships, including one with his employer, portrayed by Amanda Assucena.

Liliom exemplifies complexity—both charming and troubled. Castro Cuevas effectively portrays these dimensions. His actions escalate, leading to a moment of desperation at the peak of the Great Depression, culminating in his tragic exit.

The climax showcases the Joffrey’s ensemble in a performance expressing frustrations of economic hardships. The ballet concludes with Julie’s unwavering ability to see potential goodness, even amidst disappointment. Her experiences shape her into a compassionate mother.

“Liliom” leaves audiences with contemplation and reflection, conveyed through Neumeier’s expressive narrative. As Julie embraces optimism and love, the ballet reminds viewers of the universality of human choices.

Review: “Liliom” (3.5 stars)
Running through Sept. 27 at Joffrey Ballet, Lyric Opera of Chicago, 20 N. Wacker Drive. Duration: 2 hours, 25 minutes with an intermission. Tickets range from $39 to $214, available at 312-386-8905 or www.joffrey.org.