Review of Chicago Shakespeare Theater’s Production of ‘The Winter’s Tale’

Director Edward Hall’s newest venture at Chicago Shakespeare Theater marks a potential shift towards a repertory company in Chicago. This presents a chance for local actors to work on multiple plays simultaneously, offering them extended employment and creative continuity.

The approach aligns with Hall’s vision of crafting Shakespearean productions with cohesive acting ensembles, reflecting the historical method of these plays’ original performances. The production opened recently but will not resume until later in the week, as rehearsals move towards the opening of “A Midsummer Night’s Dream.” Both plays will eventually feature in a rotating repertory format, with opportunities to see each on the same day.

Critically, it seems wise to withhold a comprehensive evaluation until after both plays premiere. However, following the initial performance, there’s hope that the company develops a more profound emotional depth than observed so far. While the staging of “The Winter’s Tale” includes engaging performances and inventive ideas, the emotional impact is inconsistent.

“The Winter’s Tale,” similar to other Shakespearean romances, offers themes of redemption and forgiveness amidst grave mistakes. In the play, Leontes’ jealousy leads to destructive accusations, severely affecting multiple characters. This rendition highlights the sad yet powerful narrative of potential redemption, although some narrative choices weaken this complexity.

The performance grapples with balancing a tragic storyline with lighter, comedic scenes. A ‘hippy’ depiction of Bohemia provides amusement but can distract from the impending dramatic climax. The production, however, does well in clear storytelling and visual appeal, thanks to Michael Pavelka’s elegant costumes and set design.

The early scenes particularly resonate with contemporary parallels, where loyalty overpowers ethical standpoints, leaving only Paulina as a beacon of integrity. Issy Van Randwyck’s portrayal of Paulina stands out as a steady presence on stage.

Despite some criticism, the performance showcases articulate delivery and rich visuals, ensuring engaging moments throughout. While not fully achieving the emotional intensity desired from such a profound storyline, the production captivates through its articulate presentation and stylistic elements. The famous stage direction, “Exit, pursued by a bear,” adds excitement to an audience visibly enjoying the show.

The play, emphasizing themes of regret and life-altering decisions, is slated to run until December 12 at the Courtyard Theater on Navy Pier, with ticket prices ranging from $65 to $135. Interested parties can secure tickets by contacting 312-595-5600 or visiting chicagoshakes.com.