Chris Vallillo’s Musical Journey to Steppenwolf’s 1700 Theater

Chris Vallillo brings his rich history of music to the intimate setting of Steppenwolf Theatre’s 1700 Theater this weekend. Accompanied by musicians Don Stiernberg on mandolin and Marc Edelstein on bass, Vallillo’s performance will be enhanced by Tim Schroll’s striking black-and-white photography. The show, “Forgottonia,” promises a blend of influences. Vallillo describes it as akin to a meeting of Bruce Springsteen and ‘Prairie Home Companion.’

The journey to this cabaret-like 80-seat venue follows a lifetime on the move. Born in Hammond, Indiana, Vallillo’s early years included frequent relocations due to his father’s job as a civil engineer. His path to music began in New Castle, Pennsylvania, influenced by the common notion among young men at the time: playing guitar attracted attention. “I can’t remember a time when I wasn’t drawn to the guitar,” he explains. By sixth grade, his parents finally gave in and he received his first guitar. While at Beloit College, he discovered his talent for music amidst peers who shared his passion.

Upon graduating with an archaeology degree, Vallillo decided against a Ph.D., preferring to combine his interests in music and storytelling over academia. His guitar playing has been celebrated, with FolkWax magazine’s Arthur Wood describing it as “a true aural delight.” Vallillo has crafted shows such as “Abraham Lincoln in Song,” endorsed by the Lincoln Bicentennial Commission, and “Oh Freedom! Songs of the Civil Rights Movement,” which chronicles the power and unity of freedom songs in the face of adversity.

“Forgottonia” emerged from a 1976 archaeological field trip when Vallillo discovered the notion of an “independent nation” devised by western Illinois locals frustrated with governmental neglect. Their plan for secession drew attention, resulting in infrastructure improvements. Vallillo was inspired by the communities he encountered, remarking, “There is a story behind every song.” His experiences inspired an album, praised by critics such as Marilyn Rea Beyer of ‘The Midnight Special’ and it has found a receptive audience in various performances across Illinois.

Described by Kevin Maynard as an “incredible” reflection of rural America, Vallillo has long aimed to present “Forgottonia” to urban audiences. After persistent efforts, he and his wife, Dorie, finally secured a spot at Steppenwolf Theatre.

Vallillo is eagerly anticipating the upcoming shows, confident due to his belief in the evolving, living nature of folk music. The performances will take place as part of the LookOut Series at Steppenwolf’s 1700 Theater.

If you go: “Forgottonia” will be on stage at 7:30 p.m. on August 8 and at 3 p.m. on August 9. Tickets and more information are available at www.steppenwolf.org.