Exploring the Depths of ‘King Hedley II’ at City Lit Theater

City Lit Theater Presents ‘King Hedley II’

In 2024, City Lit Theater produced its first non-Equity rendition of August Wilson’s Seven Guitars, a play in his Century Cycle depicting the African American experience throughout the 20th century. Returning as director, Manny Buckley delivers a compelling version of King Hedley II, a follow-up set in 1985. This play revolves around a man trying to rebuild his life after imprisonment, filled with simmering rage that often erupts. Although the protagonist’s journey could benefit from deeper development, the intense performances resonate strongly within City Lit’s intimate setting, peppered with moments of dark humor.

The creative team successfully draw out the elements of magical realism in Wilson’s text, while anchoring the narrative in urban Pittsburgh. The result is a challenging, engaging three-hour journey into Wilson’s world. James Lewis assumes the role of the title character, King Hedley, who has recently served seven years for killing Pernell, the man responsible for the scar on King’s face. As he plants seeds in his backyard, King seeks stability and safety for his wife, Tonya, played by Isis Elizabeth, and their unborn child.

King’s quest is fraught with risks, as he schemes to sell stolen refrigerators with his friend Mister, portrayed by Ernest Henton, in hopes of opening a video store. Pernell’s cousin poses a threat of revenge, pushing King to keep a pistol. Weapons are indicative of the heightened tension surrounding the men on stage.

Director Buckley describes this play as Wilson’s deep exploration of identity. King holds firmly to his name, a legacy from his father, as a source of dignity. The theme echoes with John Proctor’s plea in The Crucible, although their approaches to self-preservation differ.

Isis Elizabeth, as Tonya, contributes significantly to the theme of parenthood. Already a mother and grandmother, she finds herself pregnant again at 35. Her powerful monologue addresses the painful choice of abortion to prevent her child from repeating her mistakes or facing violence.

King’s complex relationship with his birth mom Ruby, played by Andrea Conway-Diaz, contrasts with his attachment to his late great-aunt, whom he considers his real mother. Tonya urges him to embrace fatherhood through involvement, risking problematic measures to provide materially.

Lewis, known for playing morally complex characters, portrays King with passion. The transformation in his character emerges later, hinting at Wilson’s intent, yet demands gradual buildup. His vocal range and emotional depth warrant more variety.

The setting in 1985 sees characters King, Ruby, and Elmore, played by Jelani Julyus, referencing Seven Guitars. Mystical elements surface through Aunt Ester’s presence and Stool Pigeon, a prophetic figure played by Brandon Boler. Mike McShane’s lighting and sound design enhances these scenes brightly.

City Lit Theater’s smaller stage offers an immersive experience, bringing audiences closer to the characters. Though the compact space can be overwhelming, it intensifies Wilson’s impactful storytelling.

Emily McClanathan is a freelance critic.

Review: ‘King Hedley II’ (3 stars)
When: Through Nov. 29
Where: City Lit Theater, 1020 W. Bryn Mawr
Running time: 3 hours
Tickets: $40 at 773-293-3682 and citylit.org