A Revitalized ‘Dirty Dancing: The Musical’ Shines on Stage

1 hour ago 0

Director Lonny Price has achieved remarkable success with the latest edition of “Dirty Dancing: The Musical.” Historically, this title has not always been associated with theatrical prestige despite strong audience awareness and nostalgia. Derived from the hit 1987 film featuring Jennifer Grey and Patrick Swayze, previous live versions have lacked quality. Old productions were often seen as cheap imitations appealing to fans with gimmicky video effects and mediocre performances.

The new touring production, which debuted at the Nederlander Theatre in Chicago, presents a stark contrast. This version seems promising for Broadway, potentially succeeding in a summer slot akin to “Mamma Mia!” The choreographer, Darrell Grand Moultrie, renowned for Beyoncé’s world tour, has enhanced the dancing while staying true to the period setting and the film’s essence. Social dancing is pivotal to the story’s appeal; this production effectively captures it.

Musically, the show now respects the American songbook with selections like “Fly Me to the Moon.” The music style caters to both the patrons at Kellerman’s resort and the vibrant staff quarters, reflecting dynamic tension. Price has assembled a talented cast, featuring Blake Zelesnikar as Johnny, Olivia Cece as Penny, and Annalese Starzec as Baby, showcasing their dancing abilities. The performers bring seriousness to their roles, elevating the production.

“Dirty Dancing” focuses more on dance since Baby and Johnny don’t sing. Songs like “The Time of My Life” are performed by minor characters, allowing the main roles to spotlight dancing. Price has leveraged this division effectively, letting dancers shine in pivotal roles. Annalese Starzec’s portrayal of Baby, resembling Jennifer Grey, adds authenticity to the character.

The production sticks to the original script by Eleanor Bergstein. Although the book remains unchanged, Brett J. Banakis’s elegant set design enhances dignity and authenticity. The actors deliver well-spoken lines, improving the story’s presentation. Bryan Fenkart, playing Jake Houseman, offers a notable homage to Jerry Orbach’s original role, delivering emotionally resonant performance.

Talents like Ashley LaLonde provide impressive vocals, while Erick Pinnick showcases smooth singing, contributing to the production’s overall revival. Despite being based on the movie, the stage adaptation continues to resonate with audiences, celebrating the enduring appeal of this beloved story.

Review: “Dirty Dancing” (3 stars)